Monsanto’s Patents on Life

By Katherine Paul, Ronnie Cummins
Organic Consumers Association, Feb. 27, 2013

For related articles and more information, please visit OCA's Politics and Democracy page and our Millions Against Monsanto page.

Last week, the U.S. Supreme Court began hearing arguments in a seed patent infringement case that pits a small farmer from Indiana, 75-year old Vernon Hugh Bowman, against biotech goliath Monsanto. Reporters from the New York Times to the Sacramento Bee dissected the legal arguments. They speculated on the odds. They opined on the impact a Monsanto loss might have, not only on genetically modified crops, but on medical research and software.

What most of them didn’t report on is the absurdity – and the danger – of allowing companies to patent living organisms in the first place, and then use those patents to attempt to monopolize world seed and food production.

The case boils down to this. Monsanto sells its patented genetically engineered (GE) "Roundup Ready" soybean seeds to farmers under a contract that prohibits the farmers from saving the next-generation seeds and replanting them. Farmers like Mr. Bowman who buy Monsanto’s GE seeds are required to buy new seeds every year. For years, Mr. Bowman played by Monsanto’s rules. Then in 2007, he bought an unmarked mix of soybeans from a grain elevator and planted them. Some of the soybeans turned out to have been grown from Monsanto’s patented Roundup Ready soybean seeds. Monsanto sued Mr. Bowman, won, and the court ordered the farmer to pay the company $84,000. Mr. Bowman appealed, arguing that he unknowingly bought soybeans grown from Monsanto’s seeds, not the seeds themselves, and that therefore the law of "patent exhaustion" applies.

The press and public have fixated on the sticky legal details of the case, and the classic David vs. Goliath nature of the fight. But win or lose, Mr. Bowman’s predicament is part of a much bigger problem.

The real issue is this: Why have we surrendered control over something so basic to human survival as seeds? Why have we bought into the biotech industry’s program, which pushes a few monoculture commodity crops, when history and science have proven that seed biodiversity is essential for growing crops capable of surviving severe climate conditions, such as drought and floods?

As physicist and environmentalist Vandana Shiva explains, we have turned seed, which is the heart of a traditional diversity-rich farming system across the world, into a powerful commodity, used to monopolize the food system. According to a recent report by the Center for Food Safety and Save our Seeds, three companies – Monsanto, DuPont and Syngenta – control 53 percent of the global commercial seed market. They have pressured farmers to replace diverse, nutritional seeds, seeds that are resilient because they’ve been bred by small-scale farmers to adapt to local climates and soil conditions, with monocultures of genetically engineered seeds. In the U.S. these crops are predominately corn and soybeans. According to the report, entitled "Seed Giants vs. U.S. Farmers," 93 percent of soybeans and 86 percent of corn crops in the U.S. come from patented, genetically engineered seeds.

Monsanto profits handsomely from selling its patented seeds. But the real profits are in selling farmers its proprietary pesticides, like Roundup. Farmers can spray huge amounts of Roundup on Monsanto’s Roundup Ready soybeans, killing everything except the soybean plants. It’s a win-win for Monsanto. And it’s sold as a win to farmers, who have been told that by following the Monsanto method, they’ll increase their yields and make more money. Monsanto even claims that its GE crops are the answer to world hunger.

But little of what Monsanto has promised, to farmers and the world, has proven true.

Since farmers first began buying into Monsanto’s scheme in 1995, the average cost to plant one acre of soybeans has risen 325 percent, according to the Center for Food Safety’s report. Corn seed prices are up by 259 percent. Those increases don’t include the cost of the lawsuits Monsanto has aggressively filed against farmers the company claims have violated patent agreements. By the end of 2012, Center for Food Safety calculates that Monsanto had received over $23.5 million from patent infringement lawsuits against farmers and farm businesses.

And the rest of us? What have we gained from this aggressive monopoly of seeds and crops? Nothing. In fact, the losses continue to mount.

Monsanto promised that its GE crops would help the environment by reducing the need for pesticides. But according to the USDA, farmers used up to 26 percent more chemicals per acre on herbicide-resistant crops than on non-GE crops. And as several dozen aggressive "superweeds" have become resistant to glyphosate, the primary herbicide used on GE crops, the biotech industry is ramping up its war on weeds with a new generation of GE crops that can surviving spraying with 2,4 D, paraquat, and other super-toxic herbicides.

As for GE crops being necessary to feed the world, that promise has also been debunked. In 2010, the Food and Agriculture Organization of the United Nations (FAO) warned that the loss of biodiversity will have a major impact on the ability of humankind to feed itself in the future.

According to "A Global Citizens Report on the State of GMOs: Failed Promises, Failed Technologies:"

The fable that GMOs are feeding the world has already led to large-scale destruction of biodiversity and farmers’ livelihoods. It is threatening the very basis of our freedom to know what we eat and to choose what we eat. Our biodiversity and our seed freedom are in peril. Our food freedom, food democracy and food sovereignty are at stake.

It’s safe to say that the majority of the general public would love to see the small farmer from Indiana knock Monsanto down a peg. Last year, a Monsanto ally threatened to sue the state of Vermont if legislators passed a law requiring labels on all foods containing genetically modified organisms (GMOs).  Lawmakers capitulated, despite the fact that voter support was running at more than 90 percent. Later in the year, Monsanto and large food corporations spent $46 million to defeat a citizens’ initiative in California that would have required mandatory labeling of GMOs.

Monsanto may be Public Enemy Number One, but a win for Mr. Bowman is hardly a win for mankind. It’s time we ask ourselves: How long are we going to let Monsanto bully farmers and politicians into controlling the very source of life on earth? How long will we tolerate the growing monopolization and genetic engineering of seeds by an aggressive cabal of chemical and pesticide corporations who pose a deadly threat to our health, our environment and the future of our food? And when does "how long" become too late?

Katherine Paul is director of development and communications at the Organic Consumers Association.

Ronnie Cummins is founder and director of the Organic Consumers Association. Cummins is author of numerous articles and books, including "Genetically Engineered Food: A Self-Defense Guide for Consumers" (Second Revised Edition Marlowe & Company 2004).

Source:  http://www.organicconsumers.org/articles/article_27105.cfm

An artist’s journey from homelessness to the Academy Awards

Forced to make life decisions that a child should not have to face.

INOCENTE is an intensely personal and vibrant coming of age documentary about a young artist’s fierce determination to never surrender to the bleakness of her surroundings.

Inocente

At 15, Inocente refuses to let her dream of becoming an artist be caged by her life as an undocumented immigrant forced to live homeless for the last nine years. Color is her personal revolution and its extraordinary sweep on her canvases creates a world that looks nothing like her own dark past — a past punctuated by a father deported for domestic abuse, an alcoholic and defeated mother of four who once took her daughter by the hand to jump off a bridge together, an endless shuffle year after year through the city’s overcrowded homeless shelters and the constant threat of deportation.

Despite this history, Inocente’s eyes envision a world transformed…where buildings drip in yellow and orange, where pink and turquoise planets twinkle with rescued dreams, and one-eyed childlike creatures play amongst loved babies and purple clouds. Inocente’s family history is slowly revealed through her paintings.

 Inocente’s story proves that the hand she has been dealt does not define her, her dreams do. 

Told entirely in her own words, we come to Inocente’s story as she realizes her life is at a turning point, and for the first time, she decides to take control of her own destiny. Irreverent, flawed and funny, she’s now channeling her irrepressible personality into a future she controls. Her talent has finally been noticed, and if she can create a body of work in time, she has an opportunity to put on her first art show. Meanwhile, her family life is at a tense impasse—if she legally emancipates herself from her mother to strike out on her own, she’ll risk placing her brothers in foster care, but to stay is unbearable.

INOCENTE  is both a timeless story about the transformative power of art and a timely snapshot of the new face of homelessness in America, children. Neither sentimental nor sensational, INOCENTE will immerse you in the very real, day-to-day existence of a young girl who is battling a war that we rarely see. The challenges are staggering, but the hope in Inocente’s story proves that the hand she has been dealt does not define her, her dreams do.

Since working on the documentary, Izucar, now 19, moved into her own apartment — which she shares with her two adopted pet bunnies — and she had a successful art show in New York City.





Since the economic crash of 2008, the homeless population is exploding and families are its fastest growing segment. The INOCENTE documentary gives you a rare glimpse inside the struggle of how one of the 1.5 million homeless children in the U.S. is living today – the largest and fastest growing group of them being the undocumented.

Children are the new face of homelessness in our country and yet they remain faceless. For most of these children, it is a shameful secret— which is why, despite their incredible numbers, you see so few homeless children on the street and you so rarely hear their stories.

Homeless kids are twice as likely to experience anxiety and depression than non-homeless children and 1 in 6 will develop emotional problems. Twenty-five percent witness violence in their homes. To compound the crisis, the social services that serve the homeless are being cut. It’s the perfect storm of desperation and chaos for the kids caught in the spiral.

Ways to Take Action: www.inocentedoc.com

2013 Photos, Interviews, Video ~ Academy Awards

The Academy Awards Show is Near and Excitement Fills The Air!

The Academy Awards 2013 Photos, Interviews, Video

See interviews with The Academy Award Nominees, all vying for a coveted gold Oscar statue this Sunday.

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Vickie Jones Bell – The Soulful Artist

By Surinder Moore

Vickie Jones Bell began her art career exploring South Western style abstract painting techniques.  She graduated with a degree in Art Education from the University of Maryland and since then Vickie has incorporated a more spiritual and soulful theme into her art.

Vickie Jones Bell

Inspired by the kindred spirit that women share, Vickie began to infuse her paintings with various depictions of African-American culture.  A profound sense of sisterhood and bonding comes through in Vickie’s paintings, and the richness of African American culture is expressed throughout her art by using bold colors, ethnic imagery and intricate patterns.  Vickie uses taping, stenciling, and splattering methods to achieve the multi-layer effect in her artwork and using Acrylic paints allows her to expand the applications.

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Sea Shepherd Australia :: Whale Poachers’ Refuelling Vessel Sun Laurel Enters Australian Waters

Sea Shepherd Australia :: Whale Poachers’ Refuelling Vessel Sun Laurel Enters Australian Waters

Trees are the lungs of the world

They breath for the planet.

 ~by John Lightle

Blue Trees

Visitors to Vancouver’s Biennale celebration experienced unrest as they noticed trees near the park turning blue.  Guests along Seattle’s abandoned Burke-Gilman railroad trail witnessed nearly the same condition.  New Zealand’s picturesque Brick Bay regard the same disorder leaving an entire scientific community with no reasonable explanation to the phenomena.  Answering to the blueing effect found in three separate biospheres, Australian artist/sculptor Konstaintin Dimopoulos announced the identification in a cause for concern.

“What happens to a forest in one country affects other countries.  Trees are the lungs of the world.  They breathe for the planet,” Konstantin said addressing his latest multinational effort.

Konstaintin’s Blue Trees project, using biodegradable pigment  as opposed to paint, colors trees pushing environmental concern beyond a passive notion into conscientious activism.  Community officials and event coordinators siding on Konstaintin’s behalf contract the sculptor to display his work in highly-visible, high traffic areas. From there, Konstaintin establishes a portable studio, blending his pigment and water mixture, saturating tree trunks and low-lying branches.  The contrasting salient blue hue against verdant green leaves creates a stunning visual image.  Deciduous trees exhibiting autumn foliage appear strikingly formidable as the two colors blend against an urban background.

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SUGAR

How Sweet It is!

How much sugar is in your child's cereal?

Ever wonder how much sugar your child's cereal contains? The Rudd Center presents this quick video to answer the question and pose one of our own. Check out the video "How Sweet It Is!"

Cheerios and Honey Nut Cheerios contain possible GMO ingredients such as cornstarch and sugar. This video will show the about of sugar used in Honey Nut Cheerios.

http://www.cerealfacts.org

SOURCE: A Distinctive Style Magazine